Ah yes, the question we are asked several times a day. No, it's not impossible. You CAN get representation. You just have to go about it the right way. And you have to make sure that your material is absolutely fricking bulletproof before you waste anyone's time. That's the hardest lesson, because all of us, myself included, are impatient. We finish a draft and, excited from the rush, assume it's great. So fire off a blast of queries and we send out our new masterpiece to all our industry connex... and only THEN do we find out what's wrong with them (after the door hits us on the ass on the way out. Pass!)
That's one of the reasons I started CI, to try to prevent this from happening to you guys and me, too. Still, it is insanely hard to resist the urge to simply send something out right away. Getting feedback and doing notes is HARD, it's time-consuming and a general pain in the ass. far better to be blissfully ignorant and just assume the script is great!
SERIOUSLY, HOW DO I GET A DAMN AGENT? and SERIOUSLY, HOW DO I GET A DAMN MANAGER on Talentville.com. Check 'em out! The top agents and managers in the biz tell you how to get their attention. Listen up, brothers and sisters! And if you haven't checked out Talentville yet, you should. It's a new screenwriting community from Final Draft creator Ben Cahan. We'll be interviewing Ben soon to find out all about Talentville, which looks to be sort of a combo of Trigger Street, Zoetrope and InkTip but with a few extra dollops of coolness. In the meantime, browse around and see for yourself. It hasn't officially launched yet (still in Beta,) but it looks pretty good, and the concept is interesting indeed.