|Lou Ferrigno in "Liberator"|
By Tanya Klein
The writing team of Jim Cirile + Aaron Pope knew they were on to something when they sketched out their original short screenplay for Liberator – a character study of an aging ex-superhero with real-world problems. “Liberator was one of ‘America’s goodwill ambassadors’ – leader of a government-created team of supers,” says Cirile. “But that was just their cover. What they were really up to was something else entirely.” When a black op went south, the Liberator was forced to take the fall. Decades later, after a long stint in prison, Liberator is disgraced, reviled -- a traitor. “His own family, his daughter, won’t even talk to him any more. And that is just killing him.” So at great personal risk, after all this time – Liberator decides to blow the whistle and tell the truth.
“We knew that trying to launch an original superhero franchise without source material would be next to impossible,” says Pope. "But if we had something with the right combination of grit and heart, we might just be able to speak to people with it. That was worth the risk for us so we gambled on getting the closest thing to a real life superhero we could find and sent the script to Lou (Ferrigno)."
Ferrigno sparked to the role immediately. “It really spoke to him,” says Pope. “Once we had Lou on board, the cast came together quickly – Ed Asner (Up), the amazing Peta Wilson (La Femme Nikita) and Mr. Worf himself, Michael Dorn, and we were off and running.” Well, except for a little matter of money.
|Aaron pope directs Lou Ferrigno and Peta Wilson.|
Turns out Cirile and Pope had their fingers on the pulse of time. Liberator landed right in the midst of the current whistleblower debate. Huffington Post, USA Today, Fox + Friends, Yahoo! News, and soon CNN have picked up or plan to run articles on the story.
“It’s a flipped coin,” says Ferrigno, regarding how he feels with regard to NSA whistle-blower Edward Snowden exposing rampant, warrantless US eavesdropping. “In Liberator, I played a government agent who was dumped from the government, and he decided to blow the whistle and write a book. Being a police offer myself—being a deputy sheriff—I think leaking information is wrong. I think (Snowden) committed a crime. But I think it’s starting a dialogue. The constitution protects freedom of speech; (Snowden) felt he had to speak out. Part of me feels that it’s almost like Big Brother. So some people see him as a hero, others a traitor. It’s the same thing with my character.”
Liberator premiered last year at Holly Shorts Film Festival and since then has been playing at film festivals and comic-cons. To date it has won Best Dramatic Short from CalShorts and the Award of Excellence from IndieFest. The project’s building momentum has resulted in a comic book deal from Bluewater Comics, with Lou Ferrigno: Liberator hitting stands this summer. Even before publication, it’s already won an award: Best Digital Comic from New Media Film Festival. “This is a dream come true and in fact, it's almost like we've come full-circle,” says Pope. “We not only get to expand the world of our characters, but we’re creating our own source material, which was the issue we faced in trying to start a new superhero franchise in the first place.”
Now that Liberator is both an award-winning short and a comic book series, can a feature film be far behind? “Franchise was our goal from the beginning,” says Cirile. “The project already has fans in the biz. We’ll see what shakes out. In the meantime, this is my geek dream cast, geek dream project, and we’re really stoked that people are feeling it. Truth is worth fighting for.”
Liberator is produced by Coverage Ink Films. More at liberatormovie.com.
Tanya Klein is a Los Angeles-based writer/director.